The Graduate (1967)

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The Graduate (1967) - Hotel bar scene

The Graduate [Soundtrack - 1967 film] $2.93 According to a recent article in Variety magazine, director Mike Nichols was obsessed with Simon & Garfunkel while shooting the film; the nation would follow him in that folk-rock obsession when Mrs. Robinson rose to the top of the charts in '68. The film version of that tune appears here alongside The Sound of Silence; Scarborough Fair/Canticle (Interlude); The Big Bright Green Pleasure Machine; ...

The Graduate (1967 Film) $7.99 Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007....

1963 - 1967 ... The Happenings Japanese Import Compact Disc. Career Spanding Greatest Hits & Rarities From Pop Rock Group, "The Happenings". Plus 3 Bonus Tracks By "The Four Graduates". 23 Tracks In All....

The Graduate [VHS] $1.99 Few films have defined a generation as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chicness has dimmed a bit, yet it's st...

The Graduate $6.97 A young man graduates with honors, meets and has an affair with one of his parents' friends, and is urged to date her daughter, whom he falls in love with.Genre: Feature Film-ComedyRating: PGRelease Date: 5-APR-2005Media Type: DVD...

The Graduate $9.62 "Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s. ~ Lucia Bozzola, Rovi

The Graduate [Blu-ray] $10.29 "Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s. ~ Lucia Bozzola, Rovi

The Graduate [WS] [40th Anniversary Collector's Edition] $18.54 "Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s. ~ Lucia Bozzola, Rovi

Retrospecs: 1967 [With Greeting Card] $5.12 Retrospecs: 1967 [With Greeting Card]

The Goddess of 1967 $14.34 Two young people with little in common are thrown together under unusual circumstances in this offbeat drama directed by Clara Law, who made a number of well-received films in Hong Kong before emigrating to Australia. Yoshiyashi (Rikiya Kurokawa) is an expert computer hacker and snake enthusiast who travels to Australia from his home in Tokyo to buy the car of his dreams -- a perfectly restored 1967 Citroen DS. However, when Yoshiyashi arrives at the home of the man selling the car, he makes a shocking discovery -- the owner has killed his wife and turned the gun on himself, leaving behind Deidre (Rose Byrne), the man's niece, who is both blind and emotionally unstable. As it turns out, the Citroen is still for sale, but now Yoshiyashi must make his deal with one of the man's relatives, who lives a five-day drive away. Yoshiyashi brings Deidre along for the ride, who in the course of the trip learns a lot about Yoshiyashi's studied cool, while he gets clearer perspective on the troubled past behind her impulsive eccentricity. The Goddess of 1967 was shown in competition at the 2000 Venice and Toronto film festivals. ~ Mark Deming, Rovi

Hurry Sundown (1967) $14.54 Otto Preminger (Anatomy of a Murder) directs this epic adaptation of K.B. Gilden's novel about racial prejudice and emotional unrest in 1940s Georgia. Henry Warren (Michael Caine) is an unscrupulous and racist landowner obsessed with buying up all available land in a Georgia farming town. Blocking his path are sharecroppers Rod McDowell (John Phillip Law) and Reeve Scott (Robert Hooks), one white and one black. The star-studded cast includes Jane Fonda, Faye Dunaway, Diahann Carroll, Burgess Meredith, Robert Reed and George Kennedy. Screenplay adapted by Thomas C. Ryan and Horton Foote.

Dragnet: Season 1 (1967) $31.64 Harry Morgan, Jack Webb. The gritty Sgt. Joe Friday and his partner, Officer Bill Gannon, tackle the toughest cases in Los Angeles in this timeless detective series. Incudes all 17 first-season episodes on 2 DVDs. 1967/color/7 hrs., 12 min/NR/fullscreen.

Stax/Volt Revue: Live in Norway 1967 $13.63 Stax/Volt Revue: Live in Norway 1967 captures an evening of live music featuring some of the best soul artists of the time. The documentary features over an hour of live music from Otis Redding, Eddie Floyd, Booker T. & the MG's, and Sam and Dave. ~ Perry Seibert, Rovi

Family: The Complete First and Second Seasons [6 Discs] $21.71 Starring Kristy McNichol and Meredith Baxter Birney, FAMILY is the Emmyr-winning, hit dramatic TV series from Oscarr-winning director Mike Nichols (1967 Best Director, The Graduate), screenwriter Jay Presson Allen (Cabaret) and the powerhouse producing team of Aaron Spelling and Leonard Goldberg (TV's "Charlie's Angels" and "Starsky & Hutch").

Impossible to Forget: The Story of the 1967 Red Sox $13.66 Boston Red Sox fans still look back on their favorite team's stunning 1967 season with a starry-eyed combination of awe and amazement, and now every inspirational moment of that landmark year is preserved for the enjoyment of future generations. Produced to celebrate the 40th anniversary of their stunning shot at the World Series, this documentary also offers detailed interviews with a variety of players and personalities from that era, including: Billy Rohr, George Scott, Reggie Smith, Tony C, and Jim Lonborg. A twenty-six page history of the "Impossible Dream" season is also included, as is the original Impossible Dream documentary, over thirty vignettes from the season, and the complete broadcast of the penultimate season match that earned the team their ticket to the World Series. ~ Jason Buchanan, Rovi